Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1869 Oil on canvas, 57.1 x 47 cm Private collection Inscription with a sonnet from Dante‘s Vita Nuova (The New Life). Beatrice Portinari was the Florentine girl who represented the ideal of…
Burne-Jones, Edward (1833-1898) The Annunciation and the Adoration of the Magi 1861 Oil on 3 canvases, 133.6 x 98.4 x 8.5 cm / 133.9 x 181.9 x 8 cm / 133.3 x 98.4 x 8 cm Tate Britain, London This triptych…
Bellini, Giovanni (c.1430-1516) Cristo morto sostenuto da due angeli (The Dead Christ supported by Two Angels) c.1465–1470 Oil on wood, 95 × 71.7 cm National Gallery, London
Tiepolo, Giambattista (1696-1770) La crocifissione (The Crucifixion) 1745–1750 Oil on canvas, 79.4 x 88.3 cm Saint Louis Art Museum, St. Louis
Alma-Tadema, Lawrence (1836-1912) The Coronation of Aesculapius s.d. Crayon Conté, pencil and black chalk, 24.2 x 33.7 cm Musée du Louvre, Paris
Lotto, Lorenzo (1480-1557) San Girolamo penitente (Penitent Saint Jerome) 1546 Oil on canvas, 99 x 90 cm Museo del Prado, Madrid Lorenzo Lotto‘s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée…
Gentileschi, Artemisia (1593-c.1653) La nascita di San Giovanni Battista (The Birth of Saint John the Baptist) c.1635 Oil on canvas, 184 x 258 cm Museo del Prado, Madrid This canvas is one of a series of scenes from the life of…
Fragonard, Jean-Honoré (1732-1806) Deux prophètes: Daniel et Habacuc (Two prophets: Daniel and Habakkuk) 2nd half of the 18th century Black pencil on paper, 155 x 188 cm Museo del Prado, Madrid During his stay in Naples in 1761, Fragonard copied a…
Severini, Gino (1883-1966) Metropolitana di Parigi, ruota panoramica e Torre Eiffel (Paris Subway, Ferris Wheel and Eiffel Tower) c.1912–1913 Pastel and charcoal, 59.6 x 48.2 cm Cleveland Museum of Art, Cleveland Gino Severini joined the Futurist movement, which emphasized the dynamism,…
Ruskin, John (1819-1900) Budding Sycamore 1875 Black and gray wash, gouache, and graphite, 34.8 x 44.8 cm Cleveland Museum of Art, Cleveland The most influential art critic in Britain during the 19th century, John Ruskin was also an amateur artist for…
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