Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…
Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) s.d. Pen and brown ink with brown wash, over black chalk, 33.5 x 23.6 cm Princeton University Art Museum, Princeton One of Spain’s most celebrated seventeenth-century artists, Murillo painted numerous…
Millais, John Everett (1829-1896) Sketch for The Woodman’s Daughter 1850 Graphite with touches of pen and brown ink, 24.4 x 17.2 cm Princeton University Art Museum, Princeton This small graphite sketch is a study for a celebrated painting from 1851 by…
Mantegna, Andrea (c.1431-1506) Zuffa di dei marini (Battle of the Sea Gods) c.1470–1475 Engraving, 30.5 x 43.3 cm Princeton University Art Museum, Princeton This engraving by Mantegna, court painter to the Gonzaga family in Mantua, manifests the revival of classical antiquity…
Ensor, James (1860-1949) Le Fantôme, vision devançant le futurisme (Apparition: Vision Preceding Futurism, Nightmare) 1886 Colored crayon, gouache and gold paint, 21.7 x 29.5 cm Princeton University Art Museum, Princeton
Burne-Jones, Edward (1833-1898) Perseus and the Graiae 1877 Oil, gold leaf, silver leaf and gesso on oak, 152 x 169 cm National Museum Wales, Cardiff This extraordinary work occupies the boundary between painting and sculpture, and was the centrepiece of one…
Morris, William (1834-1896) La Belle Iseult 1858 Oil on canvas, 71.8 x 50.2 cm Tate Britain, London This is the only completed easel painting that William Morris produced. It is a portrait in medieval dress of Jane Burden, whom Morris married…
Burne-Jones, Edward (1833-1898) Perseus and Andromeda (study for The Doom Fulfilled) 1875 Gouache with gold paint on board, 33 x 30.3 cm Art Institute of Chicago, Chicago Compare: Burne-Jones, Edward (1833-1898) The Doom Fulfilled 1888 Staatsgalerie, Stuttgart
Burne-Jones, Edward (1833-1898) Ariadne 1863–1864 Watercolor and gouache over graphite on paper, 123.8 x 54 cm National Gallery of Art, Washington