Tag: portrait

L’éventail (c.1919)

Laurencin, Marie (1883-1956) L’éventail (The Fan) c.1919 Oil on canvas, 30.5 × 30 cm Tate Britain, London The Fan is painted in Marie Laurencin’s typically restrained palette of blue, rose and grey. It depicts two women staring at the viewer from…

Busto del Duca Francesco I d’Este (1650-1651)

Bernini, Gian Lorenzo (1598-1680) Busto del Duca Francesco I d’Este (Bust of Duke Francesco I d’Este) 1650–1651 Marble, 80 x 106 x 50 cm Galleria Estense, Modena In this famous marble, the effigy of Francis I stands out as a manifesto of…

Retrato de Francisco I de Este (1638)

Velázquez, Diego (1599-1660) Retrato de Francisco I de Este (Portrait of Duke Francesco I d’Este) 1638 Oil on canvas, 68 x 51 cm Galleria Estense, Modena In 1638 Duke Francesco I d’Este undertook a diplomatic trip to the court of King Philip…

Le Pierrot au livre (1924)

Gris, Juan (1887-1927) Le Pierrot au livre (Pierrot with Book) 1924 Oil on canvas, 65.5 × 50.8 cm Tate Britain, London On display at Tate Modern. Although this painting is resolutely figurative, it is strongly influenced by Cubism. Pierrot’s upper body…

Giotto Painting the Portrait of Dante (1852)

Rossetti, Dante Gabriel (1828-1882) Giotto Painting the Portrait of Dante 1852 Watercolor over pencil, 36.8 x 47 cm Private collection Study: Rossetti, Dante Gabriel (1828-1882) Study for Giotto Painting the Portrait of Dante 1852 Tate Britain, London     See also: • Alighieri, Dante…

Study for Giotto Painting the Portrait of Dante (1852)

Rossetti, Dante Gabriel (1828-1882) Study for Giotto Painting the Portrait of Dante 1852 Ink on paper, 19 × 16.8 cm Tate Britain, London The medieval Italian poet Dante Alighieri inspired some of Blake‘s and Rossetti‘s greatest pictures. They each saw Dante‘s writings…

Portrait of Margaret Gainsborough holding a Theorbo (c.1777)

Gainsborough, Thomas (1727-1788) Portrait of Margaret Gainsborough holding a Theorbo c.1777 Oil on canvas, 90.2 × 69.9 cm National Gallery, London This unfinished portrait of Thomas Gainsborough’s youngest daughter, Margaret (1751–1820), playing a theorbo (a kind of lute) unites two particularly personal…

The Artist’s Daughter Margaret (c.1772)

Gainsborough, Thomas (1727-1788) The Artist’s Daughter Margaret c.1772 Oil on canvas, 75.6 × 62.9 cm Tate Britain, London Gainsborough’s younger daughter, Margaret, was in her mid-twenties when her father painted this portrait. At the time she was still living with her elder…

The Artist’s Daughter Mary (1777)

Gainsborough, Thomas (1727-1788) The Artist’s Daughter Mary 1777 Oil on canvas, 77.5 × 64.8 cm Tate Britain, London On loan to Gainsborough’s House (Sudbury, UK). Gainsborough was very fond of his two daughters and painted them frequently from childhood into their late…

Pomeranian Bitch and Puppy (c.1777)

Gainsborough, Thomas (1727-1788) Pomeranian Bitch and Puppy c.1777 Oil on canvas, 83.2 × 111.8 cm Tate Britain, London The two dogs in this painting belonged to the musician Carl Friedrich Abel, the last of the great viola da gamba virtuosi. Abel was…