Murer, Eugène (1841-1906) Trilogy of Months, state II s.d. Color lithograph, 82.2 x 61 cm Cleveland Museum of Art, Cleveland See also: • Vollard, Ambroise (1866-1939)
Trilogy of Months, state II
Tag: self-portrait
Autoritratto come allegoria della Pittura (1638-1639)
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Autoportrait (1912)
Cormon, Fernand (1845-1924) Autoportrait (Self-Portrait) 1912 Graphite on cream wove paper, 11.6 x 8 cm Cleveland Museum of Art, Cleveland
Self-Portrait as a Deaf Man (c.1775)
Reynolds, Joshua (1723-1792) Self-Portrait as a Deaf Man c.1775 Oil on canvas, 75.9 x 63.4 cm Tate Britain, London Creating self-portraits in character or pulling a face was a traditional form of student exercise. But this image was created when the…
Self-Portrait when Young (1753-1758)
Reynolds, Joshua (1723-1792) Self-Portrait when Young 1753–1758 Oil on canvas, 73.7 x 61.6 cm Tate Britain, London This self-portrait was probably painted soon after Reynolds set up a studio in London in 1753. He had spent the previous three years studying art…
Self-Portrait (c.1775)
Reynolds, Joshua (1723-1792) Self-Portrait c.1775 Oil on canvas, 73.7 x 61 cm Tate Britain, London This is one of Reynolds‘s most explicit attempts to rival Rembrandt as a self-portraitist. By the time he painted this work, he was the most famous…
Portrait de Camille Pissarro par lui-même (1903)
Pissarro, Camille (1830-1903) Portrait de Camille Pissarro par lui-même (Self-Portrait) 1903 Oil on canvas, 41 x 33.3 cm Tate Britain, London This is the artist’s last self-portrait, executed in his Paris apartment in the Place Dauphine, overlooking the Pont Neuf. It…
L’éventail (c.1919)
Laurencin, Marie (1883-1956) L’éventail (The Fan) c.1919 Oil on canvas, 30.5 × 30 cm Tate Britain, London The Fan is painted in Marie Laurencin’s typically restrained palette of blue, rose and grey. It depicts two women staring at the viewer from…
Self-portrait (1867)
Hunt, William Holman (1827-1910) Self-portrait 1867 Oil in canvas, 103.5 x 73 cm Galleria degli Uffizi, Firenze
Autoportrait au tableau “Baigneuses à la vache rouge” (c.1889)
Bernard, Émile (1868-1941) Autoportrait au tableau “Baigneuses à la vache rouge” (Self-portrait with the picture “Bathers with a red cow”) c.1889 Oil on canvas, 54.2 x 44.8 cm Musée d’Orsay, Paris Compare: Bernard, Émile (1868-1941) Baigneuses à la vache rouge 1887…