Velázquez, Diego (1599-1660) Retrato de Francisco I de Este (Portrait of Duke Francesco I d’Este) 1638 Oil on canvas, 68 x 51 cm Galleria Estense, Modena In 1638 Duke Francesco I d’Este undertook a diplomatic trip to the court of King Philip…
Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena
Rossetti, Dante Gabriel (1828-1882) Giotto Painting the Portrait of Dante 1852 Watercolor over pencil, 36.8 x 47 cm Private collection Study: Rossetti, Dante Gabriel (1828-1882) Study for Giotto Painting the Portrait of Dante 1852 Tate Britain, London See also: • Alighieri, Dante…
Rossetti, Dante Gabriel (1828-1882) Study for Giotto Painting the Portrait of Dante 1852 Ink on paper, 19 × 16.8 cm Tate Britain, London The medieval Italian poet Dante Alighieri inspired some of Blake‘s and Rossetti‘s greatest pictures. They each saw Dante‘s writings…
Degas, Edgar (1834-1917) Miss Lala au Cirque Fernando (Miss Lala at the Cirque Fernando) 1879 Pastel on paper, 61 × 47.6 cm Tate Britain, London This is one of a sequence of pastels and drawings, many of which were executed on the…
Hunt, William Holman (1827-1910) Study for the Christ Child in the Virgin’s Arms 1876 Chalk on paper, 50.8 x 5.6 cm Tate Britain, London Study for the Christ Child in the Virgin’s Arms for ‘The Triumph of the Innocents’ (first version). One…
Hunt, William Holman (1827-1910) Portrait of Mrs Edith Holman Hunt 1880 Chalk and pastel on paper, 42.8 x 33.8 cm Tate Britain, London Edith Holman Hunt was the artist’s second wife, the sister of his first wife Fanny. It was a…
Laval, Charles (1861-1894) Femmes au bord de la mer, esquisse (Women by the sea, sketch) 1887–1889 Oil on canvas, 65 x 91.5 cm Musée d’Orsay, Paris See also: • Martinique (France)
Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…
Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…