Moore, Henry (1898-1986) Helmet Head 1952 Bronze, 16.5 x 10.2 cm Cleveland Museum of Art, Cleveland British sculptor Henry Moore is known for his abstract bronze sculptures that evoke the human form. This small bronze sculpture is one of many “helmet…
Orozco, José Clemente (1883-1949) Soldado herido (Wounded Soldier) 1930 Oil on canvas, 113 x 93 cm Cleveland Museum of Art, Cleveland The central figure in a movement of revolutionary artists responding to political turmoil in Mexico during the 1920s, José Orozco believed…
Modotti, Tina (1896-1942) Orozco Mural, Preparatoria, Man Kissing Nun’s Hand 1926 Gelatin silver print, 18.3 x 24 cm Cleveland Museum of Art, Cleveland See also: • Orozco, José Clemente (1883-1949)
Millais, John Everett (1829-1896) Aeneas Shown the Body of Pallas from Virgil’s “Aeneid” 1843 Pen and black ink on original mount, 36.1 x 48.7 cm Cleveland Museum of Art, Cleveland Inscribed, original mount, lower right, in black ink: J. E. Millais…
Manet, Édouard (1832-1883) Olympia 1867 Etching Cleveland Museum of Art, Cleveland Manet‘s model, Victorine Meurent, was herself a successful painter who showed her work at Paris‘s salon. When Edouard Manet’s painting Olympia was exhibited in Paris in 1865, it was met by…
Memmi, Lippo (c.1291-1356) Madonna col Bambino (Madonna and Child) c.1350 Tempera and gold on poplar panel, 71.3 x 44 cm Cleveland Museum of Art, Cleveland Attributed to Lippo Memmi. On the eve of the Battle of Montaperti in 1260, the Tuscan…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
