Hunt, William Holman (1827-1910) The Ship 1875 Oil on canvas, 76.2 x 97.8 cm Tate Britain, London Hunt began this painting after a voyage to the East with his second wife, Edith. Unusually, he painted it largely from memory, rather than from…
Hunt, William Holman (1827-1910) The Father’s Leave-taking 1879 Etching, 18.9 x 25.3 cm Princeton University Art Museum, Princeton Of the three founding members of the Pre-Raphaelite Brotherhood (Rossetti, Hunt, and Millais), William Holman Hunt was the most dedicated to working directly…
Hunt, William Holman (1827-1910) The golden prime of good Haroun Alraschid 1863 Watercolour on vellum, 10.2 x 12.7 cm National Museum Wales, Cardiff See also: • Tennyson, Alfred (1809-1892)
Hunt, William Holman (1827-1910) Rienzi vowing to obtain Justice 1849 Oil on canvas, 83 x 117 cm National Gallery, London Cola di Rienzo vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna…
Van Dyck, Anthony (1599-1641) The Mocking of Christ 1628–1630 Oil on canvas, 112 x 93 cm Princeton University Art Museum, Princeton The most brilliant of Peter Paul Rubens’s assistants, Van Dyck left Antwerp to pursue his career in London and Genoa.…
Bernard, Émile (1868-1941) Jeux d’enfants (Children’s Games) 1888 Woodcut printed in black on beige wove paper, 15.5 × 18.2 cm Princeton University Art Museum, Princeton
Cormon, Fernand (1845-1924) Une forge (A forge) 1893 Oil on canvas, 70.5 x 90.7 cm Musée d’Orsay, Paris This is an unusual work for Cormon who was known above all for his history painting and large decorative works such as those at…
Cormon, Fernand (1845-1924) Caïn 1880 Oil on canvas, 400 x 700 cm Musée d’Orsay, Paris This painting illustrates the miserable destiny of Cain, the elder son of Adam and Eve, who after the murder of his younger brother Abel was condemned…
Bernard, Émile (1868-1941) Deux modèles dans l’atelier du peintre (Two models in the painter’s studio) c.1905 Aristotype, 17.7 x 12.8 cm Musée d’Orsay, Paris
Bernard, Émile (1868-1941) Baigneuses à la vache rouge (Bathers with a red cow) 1887 Oil on canvas, 92 x 73 cm Musée d’Orsay, Paris Fragment cut from a large composition, probably painted in 1889, the side parts of which are in…